{"id":33329,"date":"2025-10-27T05:39:00","date_gmt":"2025-10-27T05:39:00","guid":{"rendered":"https:\/\/www.london-artcollege.co.uk\/news\/?p=33329"},"modified":"2025-08-31T13:44:43","modified_gmt":"2025-08-31T13:44:43","slug":"working-with-pastels-beginner-tips-and-tricks","status":"publish","type":"post","link":"https:\/\/www.london-artcollege.co.uk\/news\/2025\/10\/working-with-pastels-beginner-tips-and-tricks\/","title":{"rendered":"Working with Pastels \u2013 Beginner Tips and Tricks"},"content":{"rendered":"\n

Diving into pastels is like embracing a beautifully tactile world you can draw, paint, smudge, and layer colours in a way that feels immediate and joyful. However, their delicate nature means they require some thoughtful techniques to master. From selecting the right surface to ensuring your work stays vibrant over time, here\u2019s what every beginner needs to know.<\/p>\n\n\n\n

Find the Right Surface<\/h3>\n\n\n\n

Pastels love texture, known as the \u201ctooth\u201d which grips the pigment. Smooth paper simply won\u2019t hold much pastel, and your colours may slide off. Instead, look for textured pastel paper or sanded pastel boards, which come in varying grain sizes. Fine grain surfaces support subtle detail, while coarser surfaces allow for bold layering. For beginners, a medium grain pastel paper is a reliable, versatile starting point that supports both detail and expressive mark-making.<\/p>\n\n\n\n

Blending with Control and Freedom<\/h3>\n\n\n\n

One of the joys of pastels is that you can interact with them more physically than most media\u2014blending, smudging, even mixing with your fingers, tissue, or a soft cloth. This control allows for smooth gradients and nuanced transitions. Start by applying pastel lightly, then build up gradually. A light touch helps avoid the mess and gives you flexibility. To add dimension, experiment with layering: lay down a pale base, then softly blend, and finish with sharper highlights in bright tones. This layering brings both depth and luminosity to your work.<\/p>\n\n\n\n

\"\"
Pricilla Clarke<\/figcaption><\/figure>\n\n\n\n

Layering Without Overloading<\/h3>\n\n\n\n

Layering is a pastel painter\u2019s superpower but it\u2019s easy to overwork a piece. Too many layers can make your artwork thick, dusty, or difficult to fix later. Instead, think in \u201cthree per layer\u201d terms: pick a midtone, layer a darker value, then add highlights. Leave space between strokes so each layer can \u201cbite\u201d into the one beneath, and avoid flattening the layers intentional variety in pressure and density gives texture and life.<\/p>\n\n\n\n

Using Fixatives Safeguard Your Work<\/h3>\n\n\n\n

One downside of pastels is that they remain loose on the surface dust can smudge away easily. Fixative preserves your work by gently bonding the pastel to the paper. Use a workable fixative between layers to stabilise the surface and reduce dust, and a final, light mist when your artwork is complete. But be cautious some fixatives can slightly darken or dull colours, so always test on a scrap first. A fine, even spray held at distance will help maintain the vibrancy and detail of your piece.<\/p>\n\n\n\n

Watch and Learn: Pastel Basics in Action<\/h3>\n\n\n\n
\n